For the most part, daily injustices in average people’s lives go ignored. But that does not mean that poor people are numb to the condition of their own lives. Politicians have been willfully blind to many social problems. Pretending that America has grown rich as a largely classless society is bad history, to say the least. The “1 percent” is the most recently adopted shorthand for moneyed monopoly, bringing attention to the ills generated by consolidated power, but the phenomenon it describes is not new. Class separation is and has always been at the center of our political debates, despite every attempt to hide social reality with deceptive rhetoric. The white poor have been with us in various guises, as the names they have been given across centuries attest: Waste people. Offscourings. Lubbers. Bogtrotters. Rascals. Rubbish. Squatters. Crackers. Clay-eaters. Tackies. Mudsills. Scalawags. Briar hoppers. Hillbillies. Low-downers. White niggers. Degenerates. White trash. Rednecks. Trailer trash. Swamp people.
They are blamed for living on bad land, as though they had other choices. From the beginning, they have existed in the minds of rural or urban elites and the middle class as extrusions of the weedy, unproductive soil. They are depicted as slothful, rootless vagrants, physically scarred by their poverty. The worst ate clay and turned yellow, wallowed in mud and muck, and their necks became burned by the hot sun. Their poorly clothed, poorly fed children generated what others believed to be a permanent and defective breed. Sexual deviance? That comes from cramped quarters in obscure retreats, distant from civilization, where the moral vocabulary that dwells in town has been lost. We think of the left-behind groups as extinct, and the present as a time of advanced thought and sensibility. But today’s trailer trash are merely yesterday’s vagrants on wheels, an updated version of Okies in jalopies and Florida crackers in their carts.
They are renamed often, but they do not disappear. Our very identity as a nation, no matter what we tell ourselves, is intimately tied up with the dispossessed. We are, then, not only preoccupied with race, as we know we are, but with good and bad breeds as well. It is for good reason that we have this preoccupation: by calling America not just “a” land of opportunity but “the” land of opportunity, we collectively have made a promise to posterity that there will always exist the real potential of self-propulsion upward.
Those who fail to rise in America are a crucial part of who we are as a civilization. A cruel irony is to be found in the aftermath of the Hollywood film Deliverance, a gruesome adventure that exploited the worst stereotypes of white trash and ignored the poverty that existed in the part of the country where the movie was made. One actor stands out who was not a trained actor at all: Billy Redden. He played the iconic inbred character who sat strumming the banjo. He was fifteen when he was plucked from a local Rabun County, Georgia, school by the filmmakers because of his odd look (enhanced with makeup). He didn’t play the banjo, so a musician fingered from behind, and the cameraman did the rest. Interviewed in 2012 to mark the fortieth anniversary of the film, Billy said he wasn’t paid much for his role. Otherwise, the fifty-six-year-old said, “I wouldn’t be working at Wal-Mart right now. And I’m struggling really hard to make ends meet.”6
The discomfort middle-class Americans feel when forced to acknowledge the existence of poverty highlights the disconnect between image and reality. It seems clear that we have made little progress since James Agee exposed the world of poor sharecroppers in 1941. We still today are blind to the “cruel radiance of what is.” The static rural experience is augmented by the persistence of class-inflected tropes and the voyeuristic shock in televised portraits of degenerate beings and wasted lives in the richest country that has ever existed. And what of Billy Redden? In 1972, a country boy was made up to fit a stereotype of the retarded hillbilly, the idiot savant. Today his mundane struggle to survive can satisfy no one’s expectations, because his story is ordinary. He is neither eccentric nor perverse. Nor does he don a scraggly beard, wear a bandana, or hunt gators. He is simply one of the hundreds of thousands of faceless employees who work at a Wal-Mart.
White trash is a central, if disturbing, thread in our national narrative. The very existence of such people—both in their visibility and invisibility—is proof that American society obsesses over the mutable labels we give to the neighbors we wish not to notice. “They are not who we are.” But they are who we are and have been a fundamental part of our history, whether we like it or not.